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2006年GRE模拟试题第7部分

发布时间:2013-09-04 09:54:07 来源:苏州朗阁培训中心 编辑:苏州朗阁小编
2006年GRE模拟试题第7部分  21.In the passage, the author is primarily concerned  with  (A) defining the Modernis...

 

2006年GRE模拟试题第7部分 
 
  21.In the passage, the author is primarily concerned
 
  with
 
  (A) defining the Modernist attitude toward art
 
  (B) explaining how photography emerged as a fine
 
  art after the controversies of the nineteenth
 
  century
 
  (C) explaining the attitudes of serious contemporary
 
  photographers toward photography as art and
 
  placing those attitudes in their historical context
 
  (D) defining the various approaches that serious
 
  contemporary photographers take toward their
 
  art and assessing the value of each of those
 
  approaches
 
  (E) identifying the ways that recent movements in
 
  painting and sculpture have influenced the
 
  techniques employed by serious photographers
 
  22.Which of the following adjectives best describes
 
  “the concept of art imposed by the triumph of
 
  Modernism“ as the author represents it in lines25-27?
 
  (A) Objective
 
  (B) Mechanical
 
  (C) Superficial
 
  (D) Dramatic
 
  (E) Paradoxical
 
  23. The author introduces Abstract Expressionist
 
  painters (lines 34) in order to
 
\
  (A) provide an example of artists who, like serious
 
  contemporary photographers, disavowed
 
  traditionally accepted aims of modern art
 
  (B) call attention to artists whose works often bear
 
  a physical resemblance to the works of serious
 
  contemporary photographers
 
  (C) set forth an analogy between the Abstract
 
  Expressionist painters and classical Modernist
 
  painters
 
  (D) provide a contrast to Pop artists and others who
 
  created works that exemplify the Modernist
 
  heritage in art
 
  (E) provide an explanation of why serious photog-
 
  raphy, like other contemporary visual forms,
 
  is not and should not pretend to be an art
 
  24.According to the author, the nineteenth——century
 
  defenders of photography mentioned in the passage
 
  stressed that photography was
 
  (A) a means of making people familiar with remote
 
  locales and unfamiliar things
 
  (B) a technologically advanced activity
 
  (C) a device for observing the world impartially
 
  (D) an art comparable to painting
 
  (E) an art that would eventually replace the
 
  traditional arts

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